For an artist whose public persona has been built on making millions of people laugh, Jaime French reveals a strikingly different kind of fearlessness through music. The expanded edition of The Ripple Effect brings together the four songs from her original EP (released earlier in 2026) with a high-spirited Nashville recording of Stevie Nicks’ “Edge of Seventeen,” creating a raw and soulful, deeply impassioned five-song portrait of an artist equally comfortable with theatrical

While jazz history celebrates countless vocalists who have transformed familiar standards into deeply personal works of art, Carmen Lundy has spent the better part of five decades taking a different path—expanding the American Songbook one original composition at a time. One of the rare jazz singers whose artistic identity rests as much on her gifts as a composer, lyricist and arranger as on her extraordinary voice, she has quietly created one of contemporary jazz’s richest b

“Peace of the Senses” captures the otherworldly creative magic that can emerge when two deeply accomplished visionary artists bring their individual musical aesthetics together. From its slowly emerging tribal heartbeat and spacious electronic atmosphere, the first collaboration between shamanic practitioner/legendary percussionist Byron Metcalf and multi-instrumentalist, producer and “sound painter” David Vito Gregoli develops into a richly cinematic journey. What begins wit

A double bass can rumble like an earthquake, whisper like a memory, scrape against the edges of consciousness, or suddenly erupt with the force of a jazz orchestra. On forever eve, Kyle Grimm seems determined to discover just how far he can push those possibilities before the instrument becomes something almost unrecognizable. Across five works for double bass and electronics, Grimm turns wood, strings, bow, fingers, sampled sound, looping, delay and electronic processing int

Japanese composer Asuka Kakitani’s The Garden begins with a question that gradually becomes stranger the longer one listens: what might plant life sound like if its hidden processes—rooting, germination, pollination, growth, decay and regeneration—could be translated into the deep resonance of a single double bass? Rather than turning nature into picturesque musical wallpaper, Kakitani and bassist Mark Urness create a decidedly unconventional sonic ecosystem, one populated by

Alireza Mashayekhi has spent more than six decades challenging the boundaries between Iranian musical traditions, Western modernism and experimental sound, but on Meditation–Tomorrow, his ideas are distilled to their most intimate form: a single flute, played with astonishing versatility by Iranian-American virtuoso Kelariz Keshavarz. Across three works, Keshavarz reveals just how expansive the unaccompanied flute can become, moving from breathy, fragile passages and resona

There’s a quietly compelling tension at the heart of A Peaceful Tomorrow, the new collaboration between veteran New Age vocalist and composer Juliet Lyons and multi-instrumentalist Guy Renardeau, whose piano, electric guitar and programming create a spacious instrumental framework around Juliet’s ethereal voice. The music often draws beauty from the meeting of shadow and illumination, earthy percussion and celestial voices, introspective piano and exotic instrumental colors.

Chuck Leah’s “Coyote” begins at the crossroads—literally, metaphorically and somewhere deep in the unsettled territory between life and death. Years before the song was written, the Texas-born Americana storyteller, multi-instrumentalist and paleontologist made a dedicated midnight pilgrimage to the Mississippi crossroads associated with Robert Johnson, where he encountered a solitary coyote that seemed to materialize out of the darkness and stare directly into his soul. Deca

There are moments when the world seems to fracture so completely that even our most familiar reflections become difficult to recognize. For Indian-American composer, guitarist, producer and academic Samir Bodhi and his wife, creative partner and vocalist Madhumita Chatterjee, that unsettling realization became the creative catalyst for Fractured Reflections, a provocative, socially conscious and deeply soul-stirring five-track new age/global fusion meditation that peers into

After more than five decades spent composing, arranging, performing and helping other artists realize their musical visions, pianist, composer and musical director Steve Rawlins finally steps fully into the spotlight with Word on the Street, a vibrant ensemble recording that brings together music from different chapters of his career while introducing a fresh collection of compositions shaped specifically for his wildly adventurous quintet. Rooted in a dual aesthetic of past

Some music arrives effortlessly. A melody appears at the piano, the right musicians gather around it, and within weeks it finds its way onto an album. Other compositions take a far more circuitous route, quietly waiting years—or even decades—for the right combination of experience, collaborators and perspective before revealing what they were always meant to become. Steve Rawlins understands that creative patience better than most. Throughout a remarkable career spanning more

Every great groove has a destination. Some pull us to the dance floor, others stir memories, but Roberto Vally’s luminous new single “Soul Flow” reaches for something deeper, channeling rhythm into a reflection on the invisible connection between movement, spirit and human emotion. As Vally explains, “Soul Flow, for me, is about our souls swimming through the universe, trying to flow yet staying anchored. And when groove is honest, from the heart, people can feel that.” It’s